With the exhibition, Nothing at All – Idiorhythmic Modes of Coexistence, composer/musician Jérôme Joy and visual artist David Ryan combine autobiographical and fictional elements to explore the notions of coexistence and realities of the world. Through drawings, videos and sounds, the artists grapple with the ideas of limitations and thresholds in a poetic manner – an approach that has characterised their works since their first artistic collaboration in the early 1980s.
“I don’t see why my inventions and ideas are more important than anyone else’s. I believe we all have our own realities – no matter how singular they are – and they all coexist without any real need to prioritise one over another, or exclude some and attach more importance to others. We suggest a reorganisation and readjustment of the exchange, the experience and of (life) experiences, so that each and every one of us can develop our own pace (rather than surrender to the generalised, abstract ones that society imposes on us) and live with these continual adjustments. It’s very lively. Numerous possibilities open up; variations, alternatives, small worlds and these tenuous margins interest me, they require deadlines and time limits (nothing absolute or ideal for this): it’s there.” – Jérôme Joy
The artists have been inspired by their respective personal histories and social and political realities of the 1980s, particularly by the troubles in Ireland and the political and economic environment prevalent at that time. Triggered by their mutual scepticism towards institutions and the world of art, their collaboration has, in the recent years, veered towards the development of discreet and artistically poetic work that continues to question notions of liberty and the pursuit of happiness with delicacy, tenderness and kindness.