Nothing at All: David Ryan & Jérôme Joy at Palais de Tokyo

Visual artist David Ryan and composer/musician Jérôme Joy recount the birth and life events of a clover hunter, played by Ryan, through a combination of drawings, videos and sounds.

David Ryan & Jérôme Joy | Exhibition at Palais de Tokyo | Urban Mishmash, Paris
David Ryan, Eternal Refuge - Introduce, 2013. Courtesy Palais de Tokyo, Paris

With the exhibition, Nothing at All – Idiorhythmic Modes of Coexistence, composer/musician Jérôme Joy and visual artist David Ryan combine autobiographical and fictional elements to explore the notions of coexistence and realities of the world. Through drawings, videos and sounds, the artists grapple with the ideas of limitations and thresholds in a poetic manner – an approach that has characterised their works since their first artistic collaboration in the early 1980s.

“I don’t see why my inventions and ideas are more important than anyone else’s. I believe we all have our own realities – no matter how singular they are – and they all coexist without any real need to prioritise one over another, or exclude some and attach more importance to others. We suggest a reorganisation and readjustment of the exchange, the experience and of (life) experiences, so that each and every one of us can develop our own pace (rather than surrender to the generalised, abstract ones that society imposes on us) and live with these continual adjustments. It’s very lively. Numerous possibilities open up; variations, alternatives, small worlds and these tenuous margins interest me, they require deadlines and time limits (nothing absolute or ideal for this): it’s there.” – Jérôme Joy

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